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The Legend of Hell House emerges far more strongly as a story than The Haunting did. Legendary genre screenwriter Richard Matheson has simplified his original book Hell House (1971). Primarily, Matheson pares down the book’s shock excesses, something that would have brought the film into the domain of The Exorcist (1973), which came out six months later the same year.
Facts About The Movie The Legend Of Hell House
The experiences grow more violent including a cat attack and a barrage of deadly chandeliers before culminating in the discovery that everyone was wrong and everyone was right. Hell houses are haunted attractions typically run by evangelical Protestant churches or parachurch organizations designed to act as moral instruction. In this article, we will dive deep into the world of The Legend of Hell House and uncover 37 fascinating facts about this iconic movie.
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Based on the novel by Richard Matheson, the film tells the story of a team of paranormal investigators who are hired to spend a week in the infamous Belasco House, known as Hell House. The haunted mansion becomes their battleground as they encounter terrifying apparitions and supernatural occurrences beyond their wildest imaginations. The Legend of Hell House is a spine-chilling horror film that has captivated audiences since its release in 1973. Directed by John Hough, this movie is based on the novel of the same name by Richard Matheson. Set in the eerie and mysterious Belasco House, the film follows a team of paranormal investigators as they attempt to unravel the dark secrets of this haunted mansion. The Legend of Hell House is a 1973 gothic supernatural horror film directed by John Hough, and starring Pamela Franklin, Roddy McDowall, Clive Revill, and Gayle Hunnicutt.
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The Mount Everest of haunted houses, it was once the home of Emeric Belasco (Michael Gough), a millionaire infamous for all manner of excessive perversions – sadism, bestiality, necrophilia and cannibalism. A physicist (Clive Revill) and his wife (Gayle Hunnicutt) and two mediums (Roddy McDowall and Pamela Franklin) are hired by an eccentric to prove the existence of life after death, and Hell House is to be the proving ground. As they argue science versus the supernatural, evil forces shake the house.
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From its origins as a novel to its adaptation onto the big screen, this movie has left an indelible mark on the horror genre. So grab some popcorn, turn off the lights, and prepare to be terrified by this haunting tale. One of the film’s strengths lies in its ability to keep viewers guessing with unexpected twists and turns. The script, written by Matheson himself, masterfully combines elements of exorcism, possession, and psychic phenomena to create a truly chilling narrative. The production design deserves special mention, as it successfully brings the haunted mansion to life, enveloping the audience in a world of darkness and dread.
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Once inside however, the house begins to prey on the team and their individual weaknesses. A physicist, his wife and two mediums are hired to investigate the Belasco House, where 27 guests had inexplicably died in 1927, along with most of a team of paranormal investigators that wa... A Hell house, like a conventional haunted-house attraction, is a space set aside for actors to frighten patrons with gruesome exhibits and scenes, presented as a series of short vignettes with a narrated guide. Unlike haunted houses, Hell houses focus on real-life situations and the effects of sin or the fate of unrepentant sinners in the afterlife. The movie follows a team of investigators who are tasked with unraveling the mysteries of the Belasco House, a notoriously haunted mansion.
The Legend of Hell House (1973) - Blu-ray.com
The Legend of Hell House ( .
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Fischer decides to confront the house, and Ann accompanies him despite her misgivings. Deciphering Tanner's dying clue, Fischer deduces that Belasco is the sole entity haunting the house, masquerading as many. He taunts Belasco, declaring him a "son of a whore", and that he was no "roaring giant", but instead more likely a "funny little dried-up bastard" who fooled everyone about his alleged height. Even as objects begin to hurl themselves at Fischer, he continues to defy the entity, and insults Belasco's physical stature.
I’m going to pause here to say that McDowall is ridiculously good in this role. The Planet of the Apes films and his portrayal of vampire hunter Peter Vincent are among his best remembered, but his turn here is easily my favorite. Benjamin is a man damaged by horrific tragedy and an experience that left him unable to continue using his psychic gifts. He’s closed himself off from the spirit world and plans only on riding out the week and collecting his fat paycheck, and his transition from soft-spoken freeloader to psychic hero is a dramatically thrilling one. The idea that the spirits’ connections to the house were caused due to the location being used for debauchery (drugs, alcohol, sex, etc.) along with vampirism and murder, was a great move in giving the location its own personality.
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That’s not to imply the film is dry, but instead it perfectly sets the stage for a tale that begins with an academic feel before descending into fleshy madness. Richard Matheson’s scripting of his novel Hell House builds into an exceptionally realistic and suspenseful tale of psychic phenomena. John Hough’s direction maintains this spirit as his cast of characters arrive at the deserted Hell House with an assignment from its present tycoon owner to learn the truth about survival after death, a secret he believes the house with its terrifying history may hold. Richard Matheson's scripting of his novel Hell House builds into an exceptionally realistic and suspenseful tale of psychic phenomena. John Hough's direction maintains this spirit as his cast of characters arrive at the deserted Hell House with an assignment from its present tycoon owner to learn the truth about survival after death, a secret he believes the house with its terrifying history may hold.
There is much similarity between The Legend of Hell House and Robert Wise’s The Haunting (1963), not the least of which is the seemingly deliberate similarity of titles between the film and the Shirley Jackson novel The Haunting of Hill House (1959) from which The Haunting was taken. Both films feature a team of four – a parapsychologist and two mediums – conducting an investigation into a haunted house. Both eschew the standard clanking chains and headless ghosts and aim for more cerebral places. Both also owe something to the psychological ghosts of Henry James’s The Turn of the Screw (1898) and the suggestion that apparitions exists somewhere between the real, repression and what the ghostbusters want to believe.
Stricken by the accusation, Fischer drops his psychic shields, but he is immediately attacked. The novel combines supernatural horror with mystery as the researchers attempt to investigate the haunting of the house while their sanity is subtly undermined by its sinister supernatural influence. The home exploits its guests' deepest desires and attempts to turn people against one another during the course of their visit. The Legend of Hell House was the single best work that John Hough ever turned out. There is a certain tendency to rely on shock effect and the film never has any scenes as startling and effective as the famous door battering in The Haunting but Hough creates a tense and uneasy atmosphere from the outset. Alan Hume’s photography – with shots reflected off rotating records and entire rooms seen in the curved reflection of a polished silver teapot – is marvellously stylish.
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